'Portrait', 2007
This project aims to challenge the idea of a 'portrait' and to explore the authenticity of a photograph, as well as to explore the identity and resemblance of our individuality. By blending together the faces of three different individuals, a new and non-existing individual has been created. Doing this the viewer is believed to be looking at a portrait of an ordinary person and immediately sees it as the truth.
This project aims to challenge the idea of a 'portrait' and to explore the authenticity of a photograph, as well as to explore the identity and resemblance of our individuality. By blending together the faces of three different individuals, a new and non-existing individual has been created. Doing this the viewer is believed to be looking at a portrait of an ordinary person and immediately sees it as the truth.
'Portrait', 2007
This project aims to challenge the idea of a 'portrait' and to explore the authenticity of a photograph, as well as to explore the identity and resemblance of our individuality. By blending together the faces of three different individuals, a new and non-existing individual has been created. Doing this the viewer is believed to be looking at a portrait of an ordinary person and immediately sees it as the truth.
This project aims to challenge the idea of a 'portrait' and to explore the authenticity of a photograph, as well as to explore the identity and resemblance of our individuality. By blending together the faces of three different individuals, a new and non-existing individual has been created. Doing this the viewer is believed to be looking at a portrait of an ordinary person and immediately sees it as the truth.
'Portrait', 2007
This project aims to challenge the idea of a 'portrait' and to explore the authenticity of a photograph, as well as to explore the identity and resemblance of our individuality. By blending together the faces of three different individuals, a new and non-existing individual has been created. Doing this the viewer is believed to be looking at a portrait of an ordinary person and immediately sees it as the truth.
This project aims to challenge the idea of a 'portrait' and to explore the authenticity of a photograph, as well as to explore the identity and resemblance of our individuality. By blending together the faces of three different individuals, a new and non-existing individual has been created. Doing this the viewer is believed to be looking at a portrait of an ordinary person and immediately sees it as the truth.
'Portrait', 2007
This project aims to challenge the idea of a 'portrait' and to explore the authenticity of a photograph, as well as to explore the identity and resemblance of our individuality. By blending together the faces of three different individuals, a new and non-existing individual has been created. Doing this the viewer is believed to be looking at a portrait of an ordinary person and immediately sees it as the truth.
This project aims to challenge the idea of a 'portrait' and to explore the authenticity of a photograph, as well as to explore the identity and resemblance of our individuality. By blending together the faces of three different individuals, a new and non-existing individual has been created. Doing this the viewer is believed to be looking at a portrait of an ordinary person and immediately sees it as the truth.
Spacial behaviour
Through the use of staged photography, this series of photographs explores the social, physical and psychological relationship between the individual and urban space, focusing on notions of conformity and alienation. Staged photography allows for an interpretation of the real, externalising an individual’s internal state of mind, creating an ambiguous relationship between the psychological and actual reality. Normally occupied spaces are depicted deserted to comment on the feeling of solitude in a world full of people.
Through the use of staged photography, this series of photographs explores the social, physical and psychological relationship between the individual and urban space, focusing on notions of conformity and alienation. Staged photography allows for an interpretation of the real, externalising an individual’s internal state of mind, creating an ambiguous relationship between the psychological and actual reality. Normally occupied spaces are depicted deserted to comment on the feeling of solitude in a world full of people.
Spacial behaviour
Through the use of staged photography, this series of photographs explores the social, physical and psychological relationship between the individual and urban space, focusing on notions of conformity and alienation. Staged photography allows for an interpretation of the real, externalising an individual’s internal state of mind, creating an ambiguous relationship between the psychological and actual reality. Normally occupied spaces are depicted deserted to comment on the feeling of solitude in a world full of people.
Through the use of staged photography, this series of photographs explores the social, physical and psychological relationship between the individual and urban space, focusing on notions of conformity and alienation. Staged photography allows for an interpretation of the real, externalising an individual’s internal state of mind, creating an ambiguous relationship between the psychological and actual reality. Normally occupied spaces are depicted deserted to comment on the feeling of solitude in a world full of people.
Spacial behaviour
Through the use of staged photography, this series of photographs explores the social, physical and psychological relationship between the individual and urban space, focusing on notions of conformity and alienation. Staged photography allows for an interpretation of the real, externalising an individual’s internal state of mind, creating an ambiguous relationship between the psychological and actual reality. Normally occupied spaces are depicted deserted to comment on the feeling of solitude in a world full of people.
Through the use of staged photography, this series of photographs explores the social, physical and psychological relationship between the individual and urban space, focusing on notions of conformity and alienation. Staged photography allows for an interpretation of the real, externalising an individual’s internal state of mind, creating an ambiguous relationship between the psychological and actual reality. Normally occupied spaces are depicted deserted to comment on the feeling of solitude in a world full of people.
